tks
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namaste Nara and others.
vedApauruSheyava
shrI Narayan said in his post #79 that the Vedantin's view of the concept of aparuSheyatvam has not been explained, even briefly, in the discussions in this thread.
In his essay vedApauruSheyava, Prof.D.Prahladachar, throws some new light on the concept. This article can be downloaded at: http://www.dvaita.net/pdf/papers/veda.pdf
Here is a brief paraphrase from the article:
• The theory of apauruSheyatvam of the Vedas is accepted by the mImAMsakAs, vedAntin and the followers of Shankara or Yoga.
• The theory is essentially based on the concept that shabda is of two kinds: dhvani--sound/utterance, and varNa--phoneme;
• Of the two, a shabda that is in the form of dhvani has both origination and destruction.
• However, varNa--phoneme, as the other form of shabda is eternal, and has no origin or destruction. Further, it is all-pervasive in space.
• Although the varNas are eternal and all-pervasive in space, they can be heard only when they are manifested by dhvani.
• Each varNa has a different dhavani that manifests it. When a speaker uses his faculties to produce the particular dhvani, then the corresponding varNa manifests and is grasped by a listener.
• A word or sentence is a group of varNas arranged in a specific order. For example, only when the varNa related to jakAra, akAra, lakAra, akAra and makAra are arranged in a specific order and manifest with dhvani, then the listener can grasp the word jalam.
• Now, the problem the varNa-nityatva-vAdin (vnv) faces is that he cannot arrange the varNas in an arbitrary manner. For, ordering may be of two kinds, spatial and temporal. But then varNas are all-pervasive in space and eternal in time, and so cannot have any kind of order, either in space or time.
• The problem of explaining the order and arrangement of phonemes in speech and writing is not just specific to Vedic sentences, but also occurs in the liguistic usage of everyday life.
• With reference to the sentences in our daily usage, the vnv has an answer: He readily grants that varNas being eternal and all-pervasive, cannot have any sequence. However, the cognition of a listener depends on the manifestation of the varNas with dhvani with an order associated with it.
• This order, as is evident upon reflection, belongs to the cognition and not to the varNas themselves. Thus the words in common usage are pauruSheya--products of some person, for the order of cognition depends on the will and utterance--dhvani of the speaker. The phonemes--varNa that are thus indirectly qualified with such an order are themselves treated as pauruSheya.
• For this reason, the explanation of order with our daily usuage of phonemes, is unsatisfactory in respect of Vedic sentences. If they are (made to be) dependent on the will of a speaker who utters them, then it would be pauruSheya and the concept of apauruSheya will collapse.
• The answer the apauruSheyatva-vAdin (av) has here is that he accepts the notiton of varNas being all-pervasive and eternal, do not have an order of their own.
• The av asserts that the sequence of phonemes in a laukika--worldly, sentence, did not exist prior to its creation by an author by his will.
• But in the case of a Vedic sentence such as agnimIle prohitam, it is not so.
‣ The Vedic seer who realized this sentence with the phonemes in such a sequence, did not will that such should be the sequence.
‣ In other words, he did not have any freedom to create the order of the phonemes or words, unlike, say, the poet KALidAsa.
‣ While realizing the hymn, he just followed the sequence that had existed in previous Creations also. Even in the previous Creation, the seer who had then realized the hymn with the phonemes in the same order, did not then create it-—he too just realized it without making any change in the order of the phonemes. But when he recited the hymn, since the phonemes became manifested by his eforts, to that extent it is his product and is pauruSheya only.
‣ At the same time it is apauruSheya also, in the sense that nobody ever, in the infinite, beginningless sequence of Creations until now, has had the freedom to create the sequence, other than what previously existed.
‣ Even the Brahman whose 'breathing' is described as the Vedas-—nishvasitam etad-—does not change the sequence of the Vedic phonemes. He just follows the sequence of phonemes as they were in the previous Creation, and teaches the same in the next Creation also. This, i.e., the unchanging sequencing of the phonemes of the Vedic sentences is, according to the av, the apauruSheya of the Vedas.
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Given this background information, we can have new and better understanding into:
• why the order of shabdas in a veda-vAkya cannot be changed, although the very strength of SaMskRtam lies in the facility that the meaning of a sentence remains unchanged, whatever the order of its words;
• why the different pada-pAThas--recitation methods, were designed for preserving the order of phonemes in the Vedas and how the oral tradition has been successful in doing it over thousands of years;
• the association of our breathing and prANa with words spoken, heard and thought of. KAnchi ParamAchArya explains it thus:
• how the unmanifest veda varNas is like Brahman's 'breathing'
• how the association of dhvani and varNas in Hindu music gives its soothing and healing effects.
There could be many more such facets to our better understanding...
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Sri Saidevo -
The link did not work for me to browse the work of Prof.D.Prahladachar.
In any case I tend to focus away from such work since these are pure claims after introduction of Sanskrit terms for a reader.
Asserting that "The Vedic seer who realized this sentence with the phonemes in such a sequence, did not will that such should be the sequence." is no different than someone saying "this holy book telling us what to do is the work of God". There is no compelling reason to accept any such statements. This reduces the truth of Mahavakyas at the same level as any other claims made by any theology built on logical contradictions.
There are ways to show in a compelling manner why the topic area of Vedas cannot be arrived at by the human mind with five means of knowledge .If one is then able to realize the truth of those Vedic statements it is possible to assert that such truth cannot have authorship.
Also there is an unfounded belief that 'Brahman is an experience' which reduces this to an experiential object in a person's mind. I quickly browsed the work of Ramana Maharishi. There are other Bhaktas that may claim experience and attribute (incorrectly) to a 'Brahman experience' whatever that means. No great Vedantins of our times claim that Brahman is an experience. Such statements tend to make the whole topic suited for mystics.
Knowledge and realization of any knowledge is not an experience.
Regard