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Collections: Instrumental, Vocal and Cine Music

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Tributes to RAMNAD KRISHNAN Ramnad Krishnan (14 September 1918 - 29 January 1973)

Tributes to RAMNAD KRISHNAN Ramnad Krishnan (14 September 1918 - 29 January 1973)

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Tributes to RAMNAD KRISHNAN Ramnad Krishnan (14 September 1918 - 29 January 1973) Carnatic classical Music Vocalist, on his Birth Anniversary yesterday.. He did his schooling in Ramnad in Madras Presidency.

He learned music from Ramnad C. S. Sankarasivam. He served on the faculty of Government College of Carnatic Music in Madras. He was also a visiting Professor at Wesleyan University. He recorded two albums for Nonesuch Records' legendary Explorer Series.


Shri. Ramnad Krishnan was born on 14th September 1918 at Alleppey in Kerala in a family of musicians, all the six brothers being accomplished artistes. Ramnad Krishnan had his school education at Ramnad in Tamilnadu where he learnt music from late vidwan Shri. Ramnad Sankara Sivam (elder brother of late mridanga vidwan Ramnad shri. C S Murugaboopathy).


Later he migrated to madras and took up music as profession. He was a faithful listener of all kinds of music . This with his natural bent of analytical mind, later made him create his own style of musical expression - bani . It so happened that he was introduced to the family members of Veena Dhannammal which changed his very approach to music. He came to the firm conclusion that in our music it is sankya or relaxed music, that only matters and he stuck to his principle till the last.

It is not an exaggeration that ramnad krishnan was an all rounder musician. He had a very extensive repertoire of compositions specially of Patnam Subramanya Iyer, which he had acquired from Smt. T. Brinda and Smt. T. Mukhta, grand daughters of Veena Dhannammal. Shri. N S Krishnaswamy Iyengar, disciple of Kanchipuram Naina Pillai and many other reputed musicians. His raga singing gave a revelation of the emotional and the intellectual content of the raga .

His unique pallavi rendetions in rare and uncommon structures, still haunt the minds of not only the rasikas but even his colleagues. His neraval rendering simulated the great Mazhavarayandal Subbarama Iyer. He could also render any padam or javali with grace and charm. He excelled in delianeating exquisite rakti raga like varali, suruti, sahana, devagandhari, begada, kapi, hamsanadham, bahudhari, saranga etc with bhava in the ragamalika rendering. In total he was a great integrater of the best aspects of Carnatic music.

He had high regards for contemporary performers as Ariyakudi Ramanuja Iyengar, Madurai Mani Iyer and G. N. Balasubramaniam.

He had many disciples like Ritha Rajan, Nagamani Srinath, Vegavahini Vijayaraghavan, Neyyathankara vasudevan, Nirmala Sundararajan, Janaki Sunderarajan, Usha Sagar, Natarajan, Vaidyanathan and Raghava Rao. As a teacher he was conscientious and sincere in his approach.
Shri. Krishnan also served at the faculty of the Govt. College of Carnatic Music at madras for a few years. He was also a visiting Professor at the Weslyn University, USA for some time where he was reverentially called "the musicians’ musician".

He used to observe Papanasam Sivan as living Thyagaraja and held him at high esteem as a composer and a musician. Shri Sivan reciprocated this sentiment and love for Krishan by calling off his concert abruptly on hearing the sad demise of Krishnan.

The music world lost the voice of Shri. Krishnan on 29.1.73.

https://www.youtube.com/watch?v=-g9LpfC9AyY&list=RD-g9LpfC9AyY#t=7

Sources: https://en.wikipedia.org/wiki/Ramnad_Krishnan

http://www.carnaticcorner.com/articles/ramnad.html

Venkata Raman G






 
Muslim Kuchipudi Dancer Enthrals Audience With Hindu Epics

Muslim Kuchipudi Dancer Enthrals Audience With Hindu Epics

14th September 2015


Muslim.jpg



HYDERABAD: At the Hindu Chaitanya Sabha organised by Bhagyanagar Ganesh Utsav Samithi here Sunday, a Muslim dancer stole the show with her Kuchipudi dance performance.

Nadiya, a 25-year-old professional dancer was the star attraction, when she performed on Hindu epics like Mahishasura Mardhini and Nataraja Shiromani.


She said often her audience get surprised when they learnt about her religion. It is very rare to see Muslim artists learning Kuchipudi and Bharatanatyam, but religion had never been an obstacle for this young dancer to pursue her passion. Talking to Express after her performance, Nadiya said, she started learning Kuchipudi since she was four.

With encouragement from parents, she continued practicing classical dance and performed at various events across the globe. Despite facing ban from the community, her father Khader Khan supported her passion for Indian dance. Interestingly, she is also married to a Hindu.

Her performances also brought her laurels including Ugadi Puraskaram from Andhra Pradesh government, Natya Shiromani and Natya Mayuri titles. “Appreciation from Prime Minister Narendra Modi was the best moment for me,’’ she said. She recently performed at an event in New Delhi where Modi was the chief guest.

http://www.newindianexpress.com/cit...ith-Hindu-Epics/2015/09/14/article3026878.ece

 
Vathapi Ganapathim by Krishnas Temple Rock Music

Vathapi Ganapathim by Krishnas Temple Rock Music


https://www.youtube.com/watch?v=e4VdRzUJqSI



Published on Dec 26, 2013
Uploaded without any commercial intentions..or monetary benefit.. mainly for educating new entrants... by providing visuals for better appreciation ..and for listening pleasure..
 
Tributes to M S SUBBALAKSHMI,

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https://www.youtube.com/watch?v=N4eN1nrohkE


https://www.youtube.com/watch?v=a76YER71adA


Tributes to M S SUBBALAKSHMI, full name Madurai Shanmukhavadivu Subbulakshmi (16 September 1916 – 11 December 2004), also known as M.S., renowned Carnatic Vocalist, on her Birth Anniversary today.

She was the first musician ever to be awarded the Bharat Ratna, India's highest civilian honour. She is the first Indian musician to receive the Ramon Magsaysay award, often considered Asia's Nobel Prize, in 1974 with the citation reading "Exacting purists acknowledge Srimati M. S. Subbulakshmi as the leading exponent of classical and semi-classical songs in the carnatic tradition of South India.
M.S. also acted in a few Tamil films in her youth. Her first movie, Sevasadanam, was released on 2 May 1938. F.G. Natesa Iyer was the lead actor, opposite Subbulakshmi, in this film, directed by K. Subramanyam. It was a critical and commercial success.

Sevasadanam is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. The film is an adapted version of Premchand's novel Bazaar-e-Husn. The veteran Marxist leader N. Sankaraiah, has described Sevasadanam as an "unusual film" for choosing the subject of marriages between young girls and old men (which had social sanction).

According to him, the film successfully broughout the "sufferings of the girl" (acted by M.S.) and the "mental agony of the aged husband".(acted by F.G.Natesa Iyer).Tamil film critic and historian Aranthai Narayanan observes in his bookThamizh Cinemavin Kathai (The Story of Tamil Cinema) that "Seva Sadhanam proved a turning point in the history of Tamil cinema. In the climax, the aged husband, now a totally changed man, was shown as casting aside with utter contempt his 'sacred thread', which symbolises his Brahmin superiority. It came as a stunning blow to the then Brahmin orthodoxy."

MS Subbulakshmi also played the male role of Narada in "Savitri" (1941) to raise money for launching Kalki, her husband's nationalist Tamil weekly. Her title role of the Rajasthani saint-poetess Meera in the eponymous 1945 film gave her national prominence. This movie was re-made in Hindi in 1947.

Awards and honours

Pandit Jawaharlal Nehru had this to say about M.S. Subbulakshmi- "Who am I, a mere Prime Minister before a Queen, a Queen of Music". While Lata Mangeshkar called her Tapaswini (the Renunciate), Ustad Bade Ghulam Ali Khan termed her Suswaralakshmi (the goddess of the perfect note), and Kishori Amonkar labelled her the ultimate eighth note or Aathuvaan Sur, which is above the seven notes basic to all music. The great national leader and poet Sarojini Naidu called her "Nightingale of India". Her many famous renditions of bhajans include the chanting of Bhaja Govindam, Vishnu sahasranama (1000 names of Vishnu), Hari Tuma Haro and the Venkateswara Suprabhatam (musical hymns to awaken Lord Balaji early in the morning).

She was widely honoured, praised and awarded. Some of the more popular ones include
Padma Bhushan in 1954

Sangeet Natak Akademi Award in 1956

Sangeetha Kalanidhi in 1968 (literally, Treasure Chest of Music. She was the first woman recipient of the title)

Ramon Magsaysay award (often considered Asia's Nobel Prize) in 1974

Padma Vibhushan in 1975

Sangeetha Kalasikhamani in 1975 by The Indian Fine Arts Society, Chennai

Kalidas Samman in 1988

Indira Gandhi Award for National Integration in 1990

Bharat Ratna in 1998.

She was honoured as a resident artist [Asthana Vidhwan] of Tirumala Tirupati Devasthanams.

Tirupati Urban Development Authority (TUDA) has installed a bronze statue of M.S. Subbulakshmi at the Poornakumbham circle in the temple town. It was unveiled by Andhra Pradesh Chief Minister Y. S. Rajasekhara Reddy on 28 May 2006.

The Kancheepuram Saree shade known as MS Blue was named after her by the well known Congress party member and philanthropist, Sri Muthu Chettiyar when they met at the residence of Sri R. Aiyadurai and Smt. Thangam Aiyadurai at Lady Desikachari Road, Madras, who were close friends of MS and Sadasivam.

A commemorative postage stamp on her was issued on 18-December-2005.

She was bestowed with enormous prize moneys with these awards, most of which she donated to charity. She has given more than 200 charity concerts and raised well over Rs. 10,000,000. She was awarded honorary degrees from several Universities. She was an ardent devotee of Kanchi Mahaswamigal and she rendered his composition Maithreem Bhajatha (O World! Cultivate peace) in her concert at the UN in 1966. She made a 20-minute recording of Venkatesa Suprabhatam for HMV, the royalty from which goes to the Veda Patasala run by the Tirupati Tirumala Devasthanam.

She donated many of the royalties on several best sold records to many charity organisation
Filmography.

1938 Sevasadanam-Tamil
1940 Sakuntalai-Tamil
1941 Savithiri-Tamil
1945 Meera-Tamil
1947 Meerabai-Hindi



https://en.wikipedia.org/wiki/M._S._Subbulakshmi

Venkata Raman G
 
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M S Subbulakshmi - Vande Maataram - Ragamalika (Duet with Dilip Kumar Roy)

M S Subbulakshmi - Vande Maataram - Ragamalika (Duet with Dilip Kumar Roy)


https://www.youtube.com/watch?v=5sJg7-lYwSI


ploaded on Aug 14, 2011
In 1947 Smt M.S.Subbulakshmi and Sri Dilip Kumar Roy cut a 78 RPM Disc with a duet rendition of the famous nationalistic song "Vande Maataram" set to a different Ragamalika (the Desh version was not yet popularised then) including all the additional stanzas which are not sung any more; the only complete version of "Vande Maataram" ever recorded.
 
M S Subbulakshmi Live performance at UN Concert on 23rd Oct.1966

M S Subbulakshmi Live performance at UN Concert on 23rd Oct.1966



https://www.youtube.com/watch?v=ArOsyp6dSLE


Published on Jan 10, 2014
JagadOdhArana maithrEm bhajathA by Sri M.S Subbulakshmi amma at UN Concert on 23rd Oct.1966. And the song was composed by Paramacharya Sri Chandrashekarendra saraswathi.
 
MSS -concert-MSS-Alagiriswmi-TKM-VIKKU.mp3

MSS -concert- MSS-Alagiriswmi-TKM-VIKKU.mp3

MSS 149-concert-MSS-Alagiriswmi-TKM-VIKKU..
Concert details:
MSS-01-birAna_varAlicci_brOvumu-kalyANi
MSS-02-muruga_muruga_enrAl-sAvEri-chApu-periyAsAmy_thUran
MSS-03-gOpanandhana_valaripunutha-bhUShAvaLi-Adhi-swAthi_thirunAL
MSS-04-akhilANDEshvari_rakSa-dvijAvanti
MSS-05-bantu_rIthi_kOlu-hamsanAdha-dhEshAdhi-thyAgaRAja
MSS-06-RTP-thOdi




http://www.mediafire.com/listen/63crvmezgdnxdwz/MSS+149-concert-MSS-Alagiriswmi-TKM-VIKKU.mp3
 
Tributes to Lalgudi Shri JAYARAMAN,

Tributes to Lalgudi Shri JAYARAMAN,


Tributes to Lalgudi Shri JAYARAMAN, full name Lalgudi Gopala Iyer Jayaraman (Tamil: லால்குடி கோபால ஐயர் ஜெயராமன்) (17 September 1930 – 22 April 2013) Indian Carnatic Violinist, Vocalist and Composer, on his Birth Anniversary today.. His awards included the National Film Award for Best Music Direction for his score to the film Sringaram: Dance of Love.

His disciples included his two children Lalgudi G. J. R. Krishnan, Lalgudi Vijayalakshmi, renowned Harikatha exponent Vishaka Hari, Saketharaman, Vittal Ramamurthy, Dr. N. Shashidhar, the leading Vainika Srikanth Chary and the Academy Award nominated Bombay Jayashri Ramnath.

Born in the lineage of a disciple of the saint musician Thyagaraja, Sri Lalgudi Jayaraman inherited the essence of Carnatic music from his versatile father, late V R Gopala Iyer, who trained him.

Gopala Iyer, a strict martinet, enforced traits of intense focus and discipline in the young Jayaraman through rigorous lessons. Though a harsh father and guru, Gopala Iyer would not allow the young Jayaraman to even sharpen pencils, believing that his tender fingers were too precious to take any chance.


Awards:
Jayaraman earned several titles, such as 'Nada Vidya Tilaka' by Music Lovers’ Association of Lalgudi in 1963, 'Padma Shri' by the Government of India in 1972, 'Nada Vidya Rathnakara' by East West Exchange in New York, 'Vadya Sangeetha Kalaratna' by Bharathi Society, New York; 'Sangeetha Choodamani' by Sri Krishna Gana Sabha, Chennai in 1971; State Vidwan of Tamil Nadu by the Government of Tamil Nadu and Sangeetha Natak Academy award in 1979 etc. The First Chowdaiah Memorial National-Level award was given to Sri Jayaraman by the Chief Minister of Karnataka. He also received honorary citizenship of Maryland, US in 1994 and the Padma Bhushan by the Government of India in 2001. He won the National Film Award for Best Music Direction for the film Sringaram in 2006. In 2010, Jayaraman became a fellow of the Sangeet Natak Akademi.


Lalgudi Jayaraman was married to Smt Rajalakshmi and had two children: his son G.J.R.Krishnan and his daughter Lalgudi Vijayalakshmi. Both follow the footsteps of their father and are famous in their own right. He had three sisters Padmavathy, a vainika, Rajalakshmi and Srimathi, both violinists. Srimathi learned violin from him as well. The renowned veena player Jayanthi Kumaresh is Smt Rajalakshmi's daughter.

Jayaraman died on 22 April 2013 after suffering a cardiac arrest in Chennai. He is survived by his son and daughter.


Compositions:

Most famous for his thillanas and varnams, Sri Lalgudi Jayaraman is considered one of the most prolific composers of modern times. His compositions span four languages ( Tamil, Telugu, Kannada and Sanskrit), as well as a whole range of ragas not conventionally used for varnams or thillanas. Characteristic of his style, the melody of his compositions camouflages subtle rhythmic intricacies. His compositions are very popular with Bharathanatyam dancers, even as they have become a standard highlight of every leading Carnatic musician's repertoire.

https://www.youtube.com/watch?v=LecaGdhWG_U


Sources:https://en.wikipedia.org/wiki/Lalgudi_Jayaraman


Venkata Raman G
 
Remembering U SRINIVAS, full name Uppalapu Srinivas (28 February 1969 – 19 September



Remembering U SRINIVAS, full name Uppalapu Srinivas (28 February 1969 – 19 September )


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Remembering U SRINIVAS, full name Uppalapu Srinivas (28 February 1969 – 19 September 2014) on his First Death Anniversary today. He was a virtuoso Indian Mandol
in Maestro, Prodigy, Trailblazer and Composer belonging to the classical Carnatic musical tradition of Southern India. Recognized worldwide as a colossus and the rarest of musical geniuses, Srinivas is regarded as the Mozart of classical Indian music. Srinivas pioneered the introduction of the mandolin, a western instrument, into classical Carnatic music, because he fell in love with it as a five-year-old.


https://www.youtube.com/watch?v=DaeN1csq714

Published on Mar 12, 2015
Listen to Uppalapu Srinivas (28 February 1969 – 19 September 2014) was a virtuoso Indian mandolin maestro, prodigy, trailblazer and composer belonging to the classical Carnatic musical tradition of Southern India. Recognized worldwide as a colossus and the Yenduko Dayaradura. Sung by U.Srinivas.


https://en.wikipedia.org/wiki/U._Srinivas

Venkata Raman G
 
Tributes to T R RAJAKUMARI,

Tributes to T R RAJAKUMARI,
images



https://www.youtube.com/watch?v=3RHWkQH4fPo

Tributes to T R RAJAKUMARI, full name Thanjavur Ranganayaki Rajayee (c. 1922 - d. September 20, 1999), Tamil Film Actress, Carnatic singer and Dancer, on her Death Anniversary today. She has been called the first "dream girl" of Tamil cinema.Hindi Film audience know her as the heroine of Chandralekha (1948) opposite Ranjan.


Rajayee was born in 1922 in a family of carnatic musicians. Both her mother and her grandmother wanted Rajayee to become a singer and trained her in Carnatic music. Tamil movie director T. R. Ramanna is her brother who is married to Sakkubai.

Rajayee made her film debut as "T. R. Rajakumari" in the 1939 Tamil film Kumara Kulothungan which was an average grosser. Her second film Kacha Devayani (1941) was a hit and helped launch her career in movies. There is some confusion about in which film she actually made her debut as Kacha Devayani's director K. Subramaniam later insisted that he was the one who introduced her to films. In 1944, Rajakumari starred in the record-breaking film Haridas alongside M. K. Thyagaraja Bhagavathar and gained recognition for her glamorous portrayal.


EkaambavananIn her Tamil film career, Rajakumari acted as the female lead to many major film stars including Thyagaraja Bhagavathar, T. R. Mahalingam, K. R. Ramaswamy, P. U. Chinnappa, M. G. Ramachandran and Sivaji Ganesan. She also started a film production company (with her brother T. R. Ramanna) called "R. R. Pictures" and produced films like Vaazhapirandhavan (1953), Koondukkili (1954), Gul-E-Bagaavali (1955), Paasam (1962), Periya Idathu Penn (1963), Panam Padaithavan (1965) and Parakkum Paavai (1966). Her last film as an actress was Vaanampadi (1963)
Rajakumari died on September 20, 1999 after a prolonged illness.

https://en.wikipedia.org/wiki/T._R._Rajakumari

Venkata Raman G
 
Born with body, soul and bhajan

Born with body, soul and bhajan

Sep 24, 2015


September 26 marks the 125th birth anniversary of Papanasam Sivan.


https://www.youtube.com/watch?v=jbrPziYSZW0

https://www.youtube.com/watch?v=aTrN8dR7o7A

https://www.youtube.com/watch?v=x0RDLDPQlDU




“The place was Oothu parai, in Thiruva nantha-puram. A young boy had to work longs hours as a cook during Ramanavami celebrations just to support his mother and himself, his father having passed away when he was just seven. His duties included filling eight large water tanks twice a day, assisting in the cooking and serving all those thousands who turned up for lunch and dinner during the fest. But all the while, it was music that enthralled him.


After dinner, the little boy would run to listen to the harikatha performance which was held as part of the festival. It was here that he first heard Manamelkudi Venkatachala Bhagavatar, a harikatha exponent.


That was how Papanasam Sivan began his tryst with classical music, especially bhajan and harikatha.
Born on September 26, 1890, in Polakom, a small village in Thanjavur district, Sivan lived in Thiruvananthapuram between 1899 and 1910. After that, he returned to Tamil Nadu and stayed with his brother in Papanasam. It was around 1912 that he started listening to classical music.


From a ‘mere kirtana-driven devotee,’ Sivan slowly transformed himself into a classical composer. With no formal lessons whatsoever. For this, the world owes a debt of gratitude to the vidwan, Konerirajapuram Vaidyanatha Iyer, who was a great inspiration to Sivan. My grandfather said he listened to about 50 concerts of Vaidyanatha Iyer, whose Thodi rendition was described by many vidwans in superlatives. So much so, Sivan composed about 20 kritis in the same raga, which were strongly influenced by Iyer’s Thodi.


I remember once my grandfather narrating the following incident to my mother, Rukmini Ramani, “Iyer was singing in Ammangudi once. That day, I was at my aunt’s place in Kumbakonam in connection with my father’s death anniversary. When I learnt that Iyer was singing, I wanted to go. It meant I had to walk seven miles to Ammankudi. By the time I reached the venue, the concert had already begun and I could not go near the stage. However, Iyer saw me and sent someone to bring me to the stage and made me sit with him. During the concert, I noticed two people near the stage talking intermittently. I was annoyed and asked them to remain silent. Iyer turned to them and said (pointing to me), ‘He is intelligent. Now, listen to this kriti of his.’ He then sang ‘Sikkal Meviya’, a kriti of mine in Khambodi.” Thatha said that though he was not destined to get the love and affection of a father, he received it in full measure from his guru.


When Sivan settled down in Madras in 1929, Rukmini Devi Arundale was among the first to recognise his genius. Sivan was closely associated with Kalakshetra, from 1934 to1939. During that time, Rukmini Devi was among his many students, which also included leading musicians such as S. Rajam. Perhaps, this tenure at Kalakshetra inspired Sivan to compose several padavarnams that are now part of the Bharatanatyam repertoire.


My grandfather’s involvement with the film world is well known. The first song he composed was for the film ‘Seetha Kalyanam,’ which was shot at Prabhath Studio, Pune. He made his acting debut in 1935 with ‘Kusela.’ He wrote Carnatic-based songs for more than 100 films and acted in quite a few such as ‘Kubera Kuchela’, ‘Kusela’ and ‘Thyaga Bhoomi.’ It is no exaggeration to say that my grandfather enjoyed divine grace in all his endeavours.


Once after finishing a concert, he and his friends were returning to Mannargudi by bullock cart. It was pitch dark and the route they were taking was notorious for dacoits. And almost every member in the group had quite a bit of gold on their person. As luck would have it, a gang of dacoits with burning torches stopped the group. They were all petrified, to say the least. At once my grandfather began singing ‘Namarkum Kudiallom Namani Anjom’ loudly. Hearing the song, a few watchmen from nearby groves rushed to the spot and the robbers took to their heels. And the group continued its journey unharmed. Such instances, where help came from unexpected quarters, was proof that Sivan had divine protection all the time.


Ramnad Krishnan had visited my grandfather. When he heard Sivan sing Tyagaraja’s Navarasa Kannada kriti, ‘Ninnu Vina,’ he was spellbound. The following day, which was Sivaratri, he was leading a bhajan team when Krishnan requested him to render the Navarasa Kannada song. At once, my grandfather composed ‘Naan Oru Vilayattu Bommaiya’ in the same raga, and Krishnan fell at his feet to receive his blessings.


So overwhelmed was Sivan when he watched the Adhikara Nandi procession of Lord Kapali and other deities that he composed ‘Kaana Kann Kodi Vendum.’ He then went on to compose more than 100 kritis on Kapaleeswaraar and Karpagambal, which he taught to his disciples.


My grandfather will always be remembered for the bhajans he presented all over Tamil Nadu. (‘bhajan’ here refers to devotional music, not group singing.) At his Mylapore bhajans (during the month of Margazhi), one often saw stalwarts such as Dr. S. Ramanathan, D.K. Jayaraman and Ramnad Krishnan in attendance.


My grandfather would say, “People say body and soul are born together. But I was born with body, soul and bhajan. The moment I am unable to perform bhajan, I shall cease to exist.” He passed away in 1973, but left behind so many gems in the form of Carnatic kritis and bhajans.”
(The writer, a Carnatic vocalist, is the grandson of Papanasam Sivan.)



https://www.youtube.com/watch?v=ZwsgfnfPauE&feature=youtu.be

maname kanamum - Savithri


Uploaded on Apr 14, 2009
M S




http://www.thehindu.com/features/fr...-his-125-birth-anniversary/article7685199.ece



 
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Tributes to K S NARAYANASWAMY










Tributes to K S NARAYANASWAMY

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K. S. Narayanaswamy, (born Koduvayur Sivarama Narayanaswamy, Tamil: கொடுவயூர் சிவராம நாராயணஸ்வாமி ; 27 September 1914 - 1999) Carn
atic Veena exponent of the Thanjavur style, in which nuances and subtleties are given more importance over rhythm based acrobatics, on his Birth Anniversary today.

https://www.youtube.com/watch?v=NOFzCoKZoNI


Uploaded on Sep 26, 2011
A rare audio recording of Sri K.S.Narayanaswamy playing the ghana raga tanam.



He was born on the 27 September 1914 to Narayaniammal and Koduvayur Sivarama Iyer at Koduvayur in Palghat district in Kerala. He underwent initial training in Carnatic music under K.S. Krishna Iyer, his brother, between his seventh and fourteenth years.

Later, he joined the Music College at Annamalai University in Chidambaram where he learnt vocal music under stalwarts like Sangeetha Kalanidhi, T S Sabesa Iyer and Sangeetha Kalanidhi Tanjore Ponniah Pillai, descendent of the famous Tanjore Quartet. He also learnt the veena under Desamangalam Subramania Iyer and the mridangam under Tanjore Ponniah Pillai.

From 1937-1946, he served as the lecturer at the Annamalai University, his alma mater, and assisted in publishing the Tamil kritis of Gopalakrishna Bharathi, Neelakanta Sivan and Arunachala Kavi.

Upon the invitation of His Highness, the Maharaja of Travancore, he took up lectureship in veena at the Swathi Thirunal College of Music (erstwhile Swathi Thirunal Music Academy) at Thiruvananthapuram, Kerala.

During his tenure at the Academy, he was instrumental, along with Semmangudi Srinivasa Iyer, then principal of the Academy, in editing and publishing the kritis of Swathi Thirunal Rama Varma (commonly known as Swathi Thirunal). He participated in several international conferences and was a member of the Music and Cultural Delegations to the erstwhile USSR and East European countries in 1954. In 1970, he was invited by Yehudi Menuhin to attend the Bath International Music Festival and perform at London, Bristol, Oxford, Cambridge, and Birmingham.

Later, he succeeded Semmangudi Srinivasa Iyer as the principal of the Academy and retired in 1970.
In 1970, he came to Mumbai, as the principal of the Sangeetha Vidyalaya of Shanmukhananda Fine Arts and Sangeetha Sabha and taught both vocal music and veena till 1985.

In 1974, he took part as the teacher of Carnatic music and veena at the Eleventh Conference of International Society of Music Education at Perth, Australia. He also participated in the Indian Music and Dance Festival of the International Institute for Comparative Music Studies and Documentation at Berlin in 1977.



He was a recipient of many awards including the State Award of Kerala in 1962 and that of Tamil Nadu in 1968; the National Award of Central Sangeet Natak Akademi in 1968; the Padma Bhushan from the Government of India in 1977; Sangeetha Kalanidhi from the Madras Music Academy, Chennai in 1979 and the Swathi Ratna in 1999.


Among his disciples, notable ones include Rugmini Gopalakrishnan, Kalyani Sharma, Trivandrum Venkataraman, Aswathi Thirunal Rama Varma, Geetha Raja, Nirmala Parthasarathy, Jayashree Aravind. Many musicians like M.S. Subbulakshmi and Semmangudi Srinivasa Iyer have had good association with him and have appreciated his music





Sources:

https://en.wikipedia.org/wiki/K._S._Narayanaswamy
Venkata Raman G
 
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