I dunno...seems i have this shadow lol...anywayy back to what you were saying Sravnaji, I don't feel comfortable with the menthods used but then again if we must, we must. As for your definition of ego, I personally feel theres a lot worse out there than a huge ego! But then again looking at some people right here, maybe youre spot on!!
Kum. amala,
I can understand your predicament, I think, and this is what I have to say about our epics (and Puranas also).
All these scriptures seem to have been composed - as they stand today - either as original compositions or group efforts, and many of these have been layered over again and again, perhaps, to suit the needs of the hindu clergy (which means the Brahmin +Kshatriya combine).
Take the M Bh itself. The present tome itself admits that it has been enlarged at least three times to make it to the present size. There are also indications that this Bhaarata was a treasure of brāhmaṇādayaḥ, meaning, the higher castes treasured it for some reason. If you read some critical works on the M Bh by even tabra scholars of the past, you will be able to know that what was possibly a story of some first cousins fighting each other over royal succession, has been turned, by successive step, into an epic of truly gargantuan size with the aim of "vaishnavizing" it. I use the term "vaishnavize" in the sense of making Vishnu as the supreme lord and also making him acceptable to the brāhmaṇādayaḥ. The inclusion of the contextually incongruent bhagavadgītā is perhaps the culmination of such efforts, imho.
As you know, in those ancient days the yāgās performed by the mighty kings and emperors reportedly stretched to one year, and, in some cases, even up to twelve or so years. The rishis, sages and ordinary brahmins used to have a few hours of spare time each day, after the sumptuous noon meals and the start of the yāgā-related items from the evening, starting with the evening sandhyā. During this interval it is said that it was the accepted custom that sūtas (sūtas, according to Manu Smriti (10.11.17), are children of a Kshatriya father and Brahmin mother.) used to entertain the assemblies by story-telling. bhārata which, in course of time, became mahābhārata was one of the stories which was used on such occasions by the sūtas. Naturally, therefore, each story-teller might have added something from his own repertoire or omitted certain things according to the occasion. As a result we have now four different "editions" of the M. Bh. which differ from one another in finer details though the 'skeleton' is identical, so to say.
Just as it is said that in a war, the victors lay down the history, "Dharma" is also defined by the victors in a situation like the M. Bh. war. Hence whatever the pāṇḍavas and kṛṣṇa did or did not do, becomes the Dharma, and conversely, whatever the kauravas did or did not do, becomes Adharma. If one can, today, look at the M. Bh. as just like another Rajni film, it will be easy to understand the operative principle, I feel; Rajni will win and whatever he does is OK. But trying to analyze the dharmic/adharmic aspects of the innumerable instances in M. Bh. will be disastrous. The famous Amitabh Bachan song with a small correction is relevant here:
o khaike paan banaaras vaalaa
khul
na jaaye band akal kaa taalaa
Our dear Sravnaji is very much preoccupied with big egos, it seems. He even feels it is the very start of evil. But when nature has found it appropriate to create us with a sense of ego or the feeling of I, mine, about me, etc., I tend to believe that ego is not an unmixed evil, but a necessary factor in our life. Along with whatever ego we have, let us also try to learn and admit that others may and can have their own egos, and then things will be alright I think.
I am sorry for this longish post but I would like to have your reaction to this.